Ring Finger Pain From Golf

contemporary artistic movements: "The new art syncretic"

Angelo Mazzoleni: "The Nonexistent Knight"

THE MANIFESTO

With this Manifesto, on the basis of the commonality of certain basic elements of our investigation poetic, we intend lay the foundations for a project to experiment with new artistic paths, through the foundation of the "new syncretic art": a research synthesis and processing of personal language of human history, both in a diachronic and synchronic, in key intercultural and ethnic , with the aim of creating a global and universal works.
We share the inner journey through time and history, past and present, between the different cultures of the world, to rediscover our origins and roots, and we intend to follow it in a more informed choice 'wider than what has already been made in the past.
As artists, we also have to make our contribution to a difficult initiative against cultural degradation, of ' art and conformism media in our globalized society ...

syncretic art, while placing the center of its dynamic operational experimentation and innovation, wants to pursue without preconceived or merchant, in a free, instinctive and thoughtful at the same time, a 'art' total 'and interior, based on the recovery of what is now' lost, due to some degeneration produced by a certain oligopolistic market: expressive values, symbols, ancestral problems of the contemporary world views from inside and universal-historical perspective. This' also means: a continuous dialogue between contemporary and the world of our origins and of the highest values \u200b\u200bexpressed by the story, so the discovery of a new humanism against the decadence of human values \u200b\u200band artistic products from a certain culture-media technology. We propose new forms of research based on the recovery of the concept of beauty and universality of the art transposed into the modern world.
We propose the return in a new way, a creative process, however, showing a man and his emotions at the center of opera, its core values, bringing art to the places that the competing houses, churches, old houses and so on., so that the works in time to accompany the lives of those who live. It is no use if, in addition to traditional materials that have the characteristic of being as much as possible "natural", "old", to tell a story or endless stories next to ours and that of those who preceded us.
We hope that our works are able to evoke the emotions, even the rediscovery of humanitas now partially lost, and can bring the viewer into the spring instinctual sources of being, our history and our present. L 'syncretic art can not be too much defined nor explained but only view through the continued evolution of our work as an ongoing dynamic process free-and encouraged us to be creative product and is therefore only one of the tracks passing through the group, a common frame of reference in which everyone can freely operate in continuous research into evolutionary new horizons and new trials.

BERGAMO 3-November-2004

The founders of the group-movement "Neosincretico: Angelo Mazzoleni, Marco Ceravolo, Thomas Cocco, Carlo Oberti, Alfonso Rocchi.

ARTICOLO_INTERVISTA

New groups and movements of contemporary art: the 'New Art syncretic'

Posted on 30/04/2009 In every age, there is a time to create and a time to destroy A time to act and a time to reflect, a time to judge and a time to listen.

"Iraq" period of syncretism contemporary

In every age, there are events that overwhelm the men and men who write history in an incessant becoming so nothing changes and nothing is ever the same, everything comes back in different forms and unrecognizable, distinct recollection and unconscious, ancestral memory of a common past that makes its way through the shadows of the subconscious. Thus, in cyclic gear of the time, art is moving without constraints, benign dispenser of divine beauty, light custodian of the secrets of the essence. In its universal language, constantly changing, there are many symbols, unlimited interpretive keys, but only one is the search for a higher meaning, in a seamless way in which the particular dissolves into a broader view of life , where ages overlap es'intrecciano, leaving old answers and new questions, where the innate human yearning to the sacred leads to a deeper level of wisdom.

It is the breath of the absolute which is found in the art of Angelo Mazzoleni, creator and co-founder of Group-Motion "Neosincretico" conceptual synthesis of different styles and techniques, from separate but similar ages and experiences in a creative process that looks beyond the boundaries of time and space, reaching the vital spark of the ego. But how does this movement, which seems to draw as much from art, the history and philosophy, proposing and revising concepts and theories, throwing open the doors of perception and knowledge? We ask the Master

Angelo Mazzoleni

, co-founder and author of the manifesto of the group. It seems incredible, almost a case of empathy or telepathy, but then again I did not know, the year before, in his book "Understanding art, "Stefano Zecchi spoke of the increasing spread of syncretic tendencies in contemporary art. In this book, I read only later, Zecchi defended the view, shared by me today, that these trends were linked mainly to the lack of new ideas and a certain confusion in certain contemporary artistic research.

"Years ago, in a letter published by Mondadori Stefano Zecchi on art, on the basis of my observation of accentuation of syncretic tendencies in contemporary art and of course in the light of my personal artistic research, I had already, anticipate briefly the reasons for my idea to form the art group of the "New Art syncretism".

The foundation of the "New Art syncretism" was born from the need, however, first to make a clear programmatic and this trend in contemporary art, but trying to develop the positive reasons background, coming from the ambiguity and contradiction rightly highlighted by ticks and of which we were aware, the other to conduct an experiment able to find new avenues of research trying to propose a new syncretic art, capable of going beyond the same idea syncretism of departure.
The comparison of the various artists of the group, even then, toghether with a similar type of experimentation, it was clear that one way to go further, avoiding the risk of confusing or rework of falling into mere imitation of the past, it was to retrace in a conscious way, by deepening the internal and the study of the arts and cultures over time. In other words, our philosophical and artistic intent was to give new depth and value to our feelings and our research exploring more deeply in the heart of the historical dimension and then reinterpret it in a completely new, given the reality of our present.

That 's what all of us, according to its sensitivity, experimenting with different paths and ways, tried to do in recent years. "

Beyond the impressions immediately provoked by such works as" Memoirs syncretic "or" Sacred Memories "living manifestation of the movement, where the lesson of Renaissance art communicates freely with the great avant-garde of the '900, not to mention its primitive origins, which are the main drivers of the project neosincretico, what are its philosophical underpinnings and, most importantly, how it interprets its founder?

"On the basic philosophy I have already partly answered above, I may add briefly that our art is syncretic substantially lower on a difficult search for cultural synthesis, historical and ethnic, which aims to produce a work of universal, strong to speak to our time.

Personally I have tried to develop my trial in the round, that is, exploring art, history and culture from the origins (primitive art) until today and then reinterpretala both inside and in the historical dimension through three experimental cycles: syncretism historical, contemporary and spiritual. As if to say, from past to future through the present. I would add that, from my experience I gained the conviction that, as long of a major reworking of the original of the past, it is possible to produce something new artistically and at the same time against the current of the confusion and contradictions produced today by a market system art.
I am convinced that this operation would not have been possible without building a bridge between past and present, working, as I said, "conscious choice", the arduous search for a synthesis and reconciliation of languages \u200b\u200bover time.

"

Temples

soul" stage of spiritual syncretism

In my latest works, beyond the aesthetic judgments that anyone can give, I hope to be successful in my attempt, flying over, or, Perhaps, entering the soul of the concept of syncretic departure creandoun my language that I hope will restore and evoke emotions in the present. "

So, after decades of apparent rejection of the past, the severing of ties with all that has already been said and written, the Group-Motion" Neosincretico "marks a ' turnaround, a sort of rehabilitation of the artistic tradition of every age, an awareness of the undeniable wealth of human experience, which is the inalienable heritage of all generations, for "those who forget their past are condemned to relive it. " Knowledge comes only from true freedom: it is this cathartic purpose is realized at neosincretica art, art with total and essential, intelligent and instinctive, for this is intended to travel through time and never be crushed.

Emanuela Dho, journalist.

Rabbit Dosage For Glucosamine

Biscuits

DAISIES M'AMA loves me not

HEARTS WITH DEDICATION

written notes of love with ... YOU ARE MUSIC TO MY SOUL!

Where Can I Go In Michigan To Get A Brazilian Wax

Non-fiction as an instrument of electoral choice

If we wanted to reduce the evils of a general word Italian politics and politicians, I think we can use the term

fiction. An assumption would seem trivial in its obviousness, but in practice it is not so 'as I will try to highlight.

E 'known that almost all politicians do not feel and believe themselves to what they say, simply worded and consciously lies. Some people do it for money, some for propaganda, for those who defend their caste or another, by the way, almost everyone lies. They lie shamelessly and without dignity eg. the right to a defense impossible to Berlusconi, compared to facts that are before the eyes of all, lie old leader left in charge of a decade of Berlusconi. They lie when they say some representatives of the Democratic Party to oppose and want to win the election (otherwise not explained why despite the squalor and the polls today in favor of the opposition forces did not want to go there). They lie, making a concrete example, when say they want to collect 10 million signatures against Berlusconi, only to give the impression they are doing something. In this case also the ridicule expire ... at least build a credible lie what the heck ...

Out of irony, if an ordinary citizen reflect on this seemingly trivial undertaking, probably better to choose who to vote for elections to the benefit of the country. Learn to recognize who in fact provides means to identify and distinguish the honest and dishonest, to separate fact from fiction and to draw the consequences for a choice. Around the concept

fiction or lies, which often involve deception, selfishness, stealing, corruption in political practice, also rotate, as corollaries,

opposite values: honesty, selflessness, sense of common purpose and commitment:

essentially what should be the true philosophy of any good politician with passion, imagination and pragmatism in identifying the best solutions and more 'right to the problems. In addition to these values \u200b\u200bis an element, not least, the sense of justice.

Today we see that the worst of fiction and drama is instead dominated Italy in a policy of low alloy that can be defined as a lie and antivalues \u200b\u200bentered a system of government.

This is why Italy is in the quagmire that we can all see, but must also be said that the fault is not only of politicians, the media junk, the lack of real opposition, but is at the heart of many citizens that these vote for political interest, superficiality or lack of values.

Finished, I hope temporarily, the era of ideologies, it is now important to distinguish between honest and dishonest. Again, this seems an obvious assumption, but in practice does not happen. To be concrete, as an artist must also be that do? Meanwhile

Where Do Angel Bites Originate From

ART, CULTURE AND SOCIETY 'ETA'

the varied CONSTELLATION SYSTEM OF ART

Di Angelo Mazzoleni

If we wanted to be with un'mmagine natural, the complex system of contemporary art, it would appear as a tangled jungle where even today the law of the jungle prevails, because it often seems to be missing, especially in a global society, what centuries of human evolution should have produced a positive self-awareness 'and others' sensibilities and culture. justice, true love for the beauty and creative child who is us. Instead a few dinosaurs dominate dedicated only to the construction of its own territorial domain: rich financial groups, each local potentates with a cock, their own galleries, artists, art critics, museums and mass media culture where real and very little artistic interest., where, despite the liberal perspective, there is neither freedom nor real meritocracy, I 'shared rules, nor knowledge of the market players.

artists, those that fund should be true, the sole maker of human and system through art and whose work it is nourished, do not count for almost nothing. Along with art critics capable and honest, the few galleries and museum directors who do not want to sell or to follow the lines and artistic models imposed money, are largely forced to operate in the undergrowth. So, simplifying, we have: large merchant groups, foundations, galleries, museum directors and decide on the rules that monopolize the market and affect the public less undergrowth avveduto.Nel: small merchants, gallery owners, event organizers improvised survival advantage for artists a fee to display and then a very few, usually small gallery, and increasingly in the undergrowth, some critics illuminated or gallery owner, who still knows how to love the art beyond the mere expediency and personal gain and of course the great mass of artists, valid and less valid.

THE NEW ROLE OF THE ARTIST

In our analysis, we will not shirk this responsibility to the description of many artists in this game of mystification of the power system described above. There are artists who, by necessity, ambition or exaggerated self-centeredness (all artists are a bit 'necessarily egocentric) are sold, which lend themselves to that stage by the lure of money and successfully adapt and give up their freedom of research to adapt market, others, but they are really very few, that knowledge come through in the upper echelons of the system to try to change it from within, but ultimately they are often entangled. All others, of course we are talking about are those who have expressed quality art, those who are truly free inquiry but who are more introverted by nature, are often ignored, exploited, treated with arrogance and sufficiency, and yet they are the real holders of knowledge. But we believe that as in any self-respecting undergrowth, right here there is the lifeblood of today and will be found the true arte.Dunque down in concrete terms, how to change this system as well as unacceptable, as mentioned earlier, making counter?

ASSOCIATIONS AS A STARTING POINT FOR ARTISTIC AND CULTURAL REVOLUTION

The answer for us is quite clear: we need to, that artists who are still the pivot of the whole system, are aware of their strengths and learn to be independent, critical of themselves and the society in which they operate and not only through the messages of their works. should commit themselves, leaving the natural individualism and egotism and associating controarte struggling to create an alternative to models of the system, a countercurrent of thought and action taking on the commitment of a new social role even . some time in Italy is intensifying the creation of new artistic and cultural associations. This is already a large signal in this direction, but it is essential that these groups be organized, to coordinate, which are allies (honest critics, journalists, men of culture, institutions, etc.) and, in our opinion, it would be important to be able to build in time of actual federations associazioni.Il next step concrete could be that you select the most valuable artists of any association with organizing exhibitions or participating in art fairs of the same, looking at the institutional level and support of tunnels to break the monopoly of large groups that are dominant. In the era computer you can 'quickly communicate, build a network of collaborative active discussion: the grillismo which will be discussed in Next, something even shown. That 's what we, in different ways and in our small, we have begun to do, but most of all, as associations connected, press on public institutions so that the conflict and the absence of rules of private monopoly market. In our view, there are different parameters and in fact more serious than those established by power and money to recognize the art of selecting quality subtracting the misinformation.

ARTISTIC AND SELECTION CRITERIA:

-originality, uniqueness' of the artistic and consistency over time, -quality 'and expressive technique combined with actuality and originality of the themes and poetic

-revaluation, next to the existing forms of art, painting and sculpture of quality', almost absent in the major art fairs, national and international exhibitions in public and private

- but above all that the verdict on what is art or not descended from a serious and transparent selection, not decided by private monopolies, but by a commission of competent people (artists, critics , art historians, men of culture, etc..) appointed by the national institutions, including associations of art indeed.

Insights on our site

http://www.artebergamo.com/

Dogs Leg Swollen And Hard

Valentine Cake and Cake Pops

so sweetly

mixture with hazelnuts and hazelnut chocolate, whole hazelnut in the center and then covered with dark chocolate Perugina

Bon bon-shaped cupcake

The base is in the rest is a dark chocolate cake with hazelnut pops covered in white chocolate tinted

in their packages!

and here is an entirely covered with dark chocolate

.

Comparision For Outboard Motor

GLOBALIZATION AND ART COMPANY ': CONTEMPORARY syncretism, VIDEO AND TEXT

Chivas Regal One Gallon With Wood Stand

placeholder Year 2011

CAKE NEW YEAR 2011

This cake made for a dinner with friends at New Year I was asked by a woman loved beautiful things and wanted!

She ' author of a blog that combines beautiful design and conviviality.

He has already written an article on my cakes and then decided to test one and then .... decided to write another article! you can read his address

http://arredoeconvivio.wordpress.com/2011/01/01/chic-cake-a-capodanno

These small gold rosettes were placeholders combined with the cake.